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Bottle Rocket Hearts Print E-mail

Bottle Rocket Hearts, by Zoe Whittall.

This is my third time reading Bottle Rocket Hearts, and each time I re-open the pages I’m struck by the way the characters come to life for me. Rather than summarize the plot myself, I’ll pull a few excerpts from the excellent Quill and Quire review:

Bottle Rocket Hearts, the first novel from former Montrealer Zoe Whittall, who now lives in Toronto, follows the life of Eve, a gay (though occasionally sexually omnivorous) young woman on the cusp of adulthood, as she negotiates life and love in Montreal in the mid-1990s.
The novel opens with Eve sitting in the waiting room at Montreal General Hospital, waiting for word about her girlfriend, Della, who may be having a mental breakdown. …Eve is angst-ridden and confused, struggling to define herself within the anglo-franco, straight-queer dichotomies of her city…

Bottle Rocket Hearts is the coming-of-age story of Eve. It mainly revolves around her relationship with her first girlfriend, Della.  Della and Eve have an incredibly tumultuous relationship - they can’t decide if they want monogamy or not; they can’t figure out how to communicate; they repeatedly shatter each others’ trust.  Eve is just beginning to make her way into the queer community; she falls in love with the assistant in her college art class, bakes vegan cookies with her new girlfriend, moves away from her suburban parents after replying to a roommate-wanted ad for a “Homo Haven”.  But she is acutely aware of her different-ness from those around her.  She’s the only one who doesn’t have scars from the 1990 Sex Garage riots.  She hasn’t lost half her friends to AIDS.  Eve enthusiastically signs up for women’s studies courses and takes charge of the megaphone at protests and actions, trying to earn credentials among her new friends.

Eve’s search for her individual identity, as well as a search for identity in terms of her relationships with the people she has begun to surround herself with, is paralleled by the political crisis of the 1995 referendum.  Eve’s Quebec is home-and-not-home; her province is searching for an identity within Canada as it seeks to assert its francophone-ness.  But Eve speaks English; her poor French embarrasses her.  For Eve, growing up in an anglophone suburb, “it seems no one in the west end is worried about bombs, only the impending fear that if Quebec separates, we’ll be forced to move to Cornwall or Kingston”.  The new life she builds for herself, the life of late-night kitchen dance parties, hash brownies and gay bars, is three bus rides away from the isolated English home she grew up in.  She puts more thought into the glittered silver dress she bikes to the polls in than the X she marks on her ballot.  She’s ashamed to admit her political apathy.

In a moment of heartbreaking truth, Eve’s search for security through pursuit of a strong identity is shattered.  Eve has held up her roommate Rachel as an ideal of well-grounded self assurance.  An activist, author, graduate student, and respected leader in the queer community, Rachel is beaten to death by neo-nazi skinheads while walking home from the bar.  Eve’s world falls apart as she realizes that establishing a strong identity for herself won’t ultimately provide safety.  Rachel’s death is like a push over the edge, forcing Eve to decide how strongly she cares about standing up for who she really is. 

Bottle Rocket Hearts is, for me, a reminder to stand up for what I believe in and to be fully aware of the consequences.  Many of us can identify with Eve’s struggle to define her opinions on a variety of social and political issues.  Her eventual arrival at a set of values that she can stand by leaves her confident to begin making decisions about her identity based on who she wants to be rather than what she perceives others want from her.  Rather than presenting us with a cut-and-dried conclusion, however, Zoe Whitall draws this story to a close with an accurate reflection of reality: that making decisions about what we believe is difficult, but making them is better than leaving them unmade.

Review by Jennifer Hoyer

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Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved.

 
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